Monday, May 31, 2021

PINKO INTERVIEW FROM TRANSLATE #10

 Here's another web-ready, unedited interview from the pages of Translate #10!  This here is the piece we did on PINKO, in particular with vocalist/guitarist Guillermo Mendez.  It also ha a pretty tight recipe at the end that our man came up with.

The repress of their fantastic debut LP "You & You" is currently at the press and you can pre-order a copy right now.  Some of them come in a fancy reflective cover with alternate cover art.  Go check it out.

And in the meantime, take a read about these dudes all working in the same kitchen together (at least they were last year..)

And if you like physical media there's a few copies of Translate #10 still around that features a linocut/letterpress cover.  It's pretty cool.



How did you get into doing chef stuff?  Was it more of an easy-to-come-back-to-between tours sort of thing, or did you pursue it professionally?

 

Growing up I really didn’t cook much.  I didn’t very good either.  I’d always go and get McDonald’s and shit, or pick the vegetables out of my food.  I don’t really know when the change occurred, but it was probably once I moved out on my own.  And I would have roommates who would cook their own food, so I would sometimes pick up on what they were making.  Slowly, but surely, I started to discover that I liked Asian food, or I liked Thai food.  One of my homies worked at a Thai place in town, and I would tour a lot so it was tough holding down a job and I always would come back to some shithole job.  I worked at a super Target for awhile and worked some other places that were shitty.  Eventually I lost the job because they didn’t want to deal with me always being out on tour.  So I thought, ‘what do I do?’ and this friend who worked at the Thai place asked if I wanted to be a server.  He said I wouldn’t have to cook or anything and I thought ‘sure’.  But he offered that if I did want to learn how to cook I could come in the back and do dishes and then they would show me how to make curries.  So yeah, I gave it a try and sure enough I learned how to use a wok, learned how to make curry, how to make noodles, all that shit.

I started to realize that I really liked this stuff and knowing how to do it.  Even though I learned a lot in that kitchen it wasn’t everything and found that there was a culinary school in town.  So I went to culinary school and went for around a year.  Most people who go there end up doing what’s called an externship, which is basically an internship for three months working in a restaurant.  But I was already working in the field and stopped school for around two and a half years and then went back, finished, did my externship while I was at work so I got paid, and then I graduated in 2015, and since that time I’ve been going from job to job in different cities, as well as my hometown.

A friend from my old band I was in asked me to help run his food truck for awhile, so I did that.  And after that is when my partner and I began traveling a lot so I began taking on cooking jobs all over the country after that.

So now, more than anything, cooking is associated with traveling.  Honestly, that’s making it hard for me now to figure what to do since traveling is more difficult.  So that is why I’ve begun to considering the idea of doing a cooking show.  Did I tell you about that?

 

No, tell me about that.

 

So I’m going to do this cooking show with short stories based around foods I know, recipes from friends around the nation, dishes that I like that homies from my hometown can help me with.  And, also, I’ve just got all these experiences from touring all over and having eaten at different places everywhere.  So I’m going to go for it.

 

That’s awesome.  So your training is a bit of both worlds- getting a formal education and also just diving right into it.

 

It’s part of the job.  I never really thought about school before, but I think it’s a really fantastic foundation.  I take that education with me to every job I’m in, but there’s also the experience, which goes along way too.

 


So you mentioned that you worked in a lot of kitchens all over the country.  What spots do you prefer, or cuisines do you enjoy making the most?

 

For me, I love Thai food.  But it can be tough.  Most Thai food in Central Texas is not fucking good. (laughs)

 

(laughs)  I can only imagine!  I wonder why?

 

Where you live, in the Northwest, is the mecca for good Thai food in America.  I had the best Pad Thai I’ve ever had in Seattle.  But I would say that really interests me, I also have an interest in vegan and vegetarian food, just to see how it’s made.  I learned stuff on how to cook with aminos, and how to make tofu tasty- like how to fry it, how to marinate it.  I learned a bit on how to cook tempeh right.

 

It took me years. (laughs)

 

It’s tough.  There’s also a lot of brands as well.  Have you ever messed around with vital wheat gluten?

 

Yes, I use it to make seitan all the time.  I have my own recipe too.

 

I fucked with it a long time ago and it was alright.  I think I would still take a black bean burger over that, but I’m sure there’s ways to make it really good.

But anyway, right now as far as cuisines go, I’m super into new American fads, but more so Spanish-influenced, like from Spain, putting masa on a pedestal.  So really, really fantastic Mexican food with a focus on really sick masa, which is nixtamilized heirloom corn.  I love that stuff.

 

Are you saying ‘matzah’, like the Jewish bread?

 

Nah, ‘masa’.  It’s Spanish for corn flour.  It sounds similar.  It’s whole kernel corn, and the hominy, which is nixtamilized in the process where you add a less abrasive lye in order to alkalize the water and it removes the hull from the corn and allows you to digest it, as well as grind it.


 

So I just learned something new!  So how did it come to be that you were able to get the other guys in Pinko jobs in the same kitchen you worked in?

 

The place I was working had a guy in the running to operate the place, but he kind of freaked out right when the pandemic started and didn’t really handle it right and he just walked out.  So I was approached to run the kitchen and I felt confident about it.  It was another case of me just going for it, even though I actually did it.  But I did it.  And soon enough a couple of the cooks left as well and they needed some help.  Right around then Jared (Flores, bass) got furloughed and wasn’t sure when he would be able to go back.  So I said to him, “This is not really conducive this is to being in a band together, but do you want to work for me?”  So he came on and quickly became an integral part of the team with a couple other people that kept things running for the first couple months.  And then I was interviewing for another position and learned that Luke (Mitchell, drums) lost his job, and kind of left him out to dry.  So I hit him up and, again, said, “This might not be best for the band dynamic, but maybe we can practice between shifts at the end of the day”.  And I’ll tell you what, that kid is a natural.  He had maybe a years experience with cooking and he’s a hard worker, so great.

It’s funny because we had this whole team going, and then a lockdown closure happened, and some people weeded themselves out, and afterwards it was just the Pinko dudes running this whole operation!  It was really funny.

 

And you got to be their boss!

 

Right, and it’s fine.  It’s sort of how we run Pinko.  In many cases the band is sort of my baby, but honestly we’re all equal, and that’s sort of the way it was in the kitchen as well.  I think that whole chef culture is fucking toxic, or can be.  Some chefs take it too far with this whole, ‘I am above these peons’

 

When you were able to tour would you find yourself being the one to cook fancy meals when you all found a place to stay for the night, or was it more basic, like ‘we’re doing spaghetti every night’.  Or has touring been more of an opportunity to eat at cool places in each town?

 

We almost never will get hotel rooms for ourselves.  If we have any extra money we eat somewhere good.  We will sleep the night in a Wal-Mart parking lot so we can have the money to go to sick Korean spot, or a good Thai place.  We went to an incredible ramen spot when we played in NYC and it was so good.  I guess I would be more open to cooking while on tour now, but it’s such a double-edged sword with bringing food on tour.  It’s not a huge deal, but the idea of having food rotting in the van is just another thing I don’t want to worry about.  In one of my old bands one of the members, who was also a cook, would bring a portable burner and rice and beans and have this whole set up.  But you know how limited time is when you’re on tour.  When we have cooked meals we cooked them on top of the van.  It was rad when we did it, but some times cooking takes that time that you don’t always have on tour.   

  But if we were trying to run the most frugal tour, if we were dead broke, we would definitely get a big bag of rice, a bag of beans, some kind of protein and do it that way.  There’s no more frugal way than eating rice and beans with some protein while on tour and just making it happen.


 

 

Check this recipe out:

 

Burned broccoli in hot raisin glaze with caramelized sun chokes

 

3 large broccoli heads (stems peeled)
11 oz Thai sweet chili sauce (Mae ploy)
2 oz rice vinegar
4 oz fried garlic (find at an Asian market)
2 c tofu dressing
8 oz sunchoke (peeled)
1 tbsp evoo
1 tbsp maple syrup
3 oz picked cilantro
1 oz sesame seeds
Water for deglazing

Sub recipes

Tofu dressing
1/2 c silken tofu
1/4 c soy sauce
1T sugar
1T Sambal oelek
1T sherry vinegar
1 1/2 t sesame oil
1/2 c canola oil

-Peel broccoli stems and cut in half all the way down the stem and in half again. (should be nice long broccoli, no florets)
-add all tofu dressing jngredients to your blender except for the canola and run the machine while drizzling the canola oil in a small stream. It will end up like a loose pudding
-in a pan on medium high heat set your evoo and your peeled sunchokes so they caramelized gently, deglazing with water and maple syrup several times until a brown caramel develops to coat the sunchokes until they are easy to pierce (hold warm)
-to cook the broccoli get a pan as hot as it will go on high heat and add a splash oh canola oil, and sear the broccoli on one side for 3 minutes and finish I the oven at 425 for another 7 minutes.
-once the broccoli is al dente, toss it in a bowl with the thai chili sauce and season with a pinch of salt and the rice vinegar
-plate a dollop of the tofu dressing on the plate, layer that glazed broccoli stalks in a neat pile, and garnish with the caramelized sunchokes all around the plate and finish with piles of fried garlic, sesame seeds, and cilantro

Sunday, May 16, 2021

IT'S MAY. ENJOY NEW MUSIC TO ANNOY CIVILIANS WITH WHILE YOU ENJOY THE OUTDOORS.

It's all Summer-ish (pretty much) and why the heck do you want to be sitting around reading opinions on music?  Answer:  so you know what to listen to while you're out enjoying the nice weather.  It pays to be prepared.  Just sayin'...


 

BLACK INK STAIN, “Incidents”

If you’ve ever seen the movie “Black Dynamite” there’s the scene where he’s walking around the neighborhood and he is approached by two kids saying their dad is also named Black Dynamite and he awkwardly just tells them, “hush up little girls, lots of cats are named Black Dynamite”, in an obvious denial of owning up to past booty call consequences.  I feel like anytime the members of Unsane walk into any venue in Europe they have to go through a similar rigmarole as band after band calls them ‘daddy’.  Their influence has a streak a mile wide and France’s Black Ink Stain certainly have inclinations to carry that torch.  They work in the same consistent tempo, sludgy dreck of sonic heaviness scraped off the boot of an aggravated gravedigger, ready to shank the next tourist looking for ‘rue Morgue’ with a dirty shard of glass in the form of pointed riffs that maim and clobber the listener.  It’s a decent effort and it reminds me of Unsane off-shoot band Pigs more than anything, mixed with a good dose of European noise progenitors Breach.  This appears to be the bands first full length release after a digital EP a few years back.  But as they say, like father, like son.  (Pogo Records)

 

DEMONS, “Privation”

With a name as painfully generic as Demons (discogs currently lists at least 11 other bands using the name) it might be a bit of a quest to look up this one you’re reading about here, if I hadn’t gone ahead and attached a link for you.  Unimaginative names aside, the music of this Virginia-based unit spews forth like a geyser of noisy spite and fried nerves.  This sounds like members of Hot Snakes were asked to do their best Converge impression and this is what came out.  I can appreciate that.  Of course, there’s some songs here that don’t exactly fit neatly into any real mold, especially mid-album ripper “Hosanna” which feels like it has a machine-like clanging backbeat going on, as well as closer “St. Luke” with it’s slow-motion alarm klaxon ringing out and mostly spoken/crooned vocals.  It’s a slow and caustic finale to a high-energy record and I can roll with that given the faster pace of the rest of the album. (Spartan Records)

 

PIG DESTROYER, “Pornographers Of Sound”

Hearing Pig Destroyer captured live is not all that different than hearting them on a studio recording.  If Scott Hull had his way there would be two of him at the show- one playing the guitar, and the other behind the board micro-managing every iota of sound that came from the stage.  However, credit is also due to the guys in PD just being incredibly good musicians so naturally they’re going to sound great anyway and this 23 track live set from 2019 (and just released now) is a pretty great representation of what to expect if you ever do see them on one of their fairly rare live appearances.  They may not have played my favorite song of theirs (c’mon, no “Phantom Limb”?) but they belt out at least a few choice tracks from all their records, sans “Explosions In Ward 6” and open things with the skull-smashing ripper “Sis”.  What a great way to open a set.  Hearing audience sing-alongs to sampled 82-second vocal disturbance “Jennifer” is an almost comedic thing to behold.  But having seen PD myself on a couple occasions I can attest to fans ferociousness that parallels the bands own musical intensity.  So yeah, enjoy this live grab bag of the groups catalog because they probably won’t be coming to your town any time in the near, or probably distant, future. (Relapse)

 

PRESSED, “Mirrored Body”

Happy to see this Memphis-based noise rock band has finally made a full length after a few years of steamrolling their sound over listeners heads.  Similar in approach to their peers in groups like Nerver, Canyons, and especially Bummer they just dole out one short track after another of chunky riffs piled atop more beefy riffs.  It’s a veritable Hungry Mans microwave dinner of music for the undiscerning listener who just wants to crush beer cans on their head while ripping the sleeves off all their shirts.  My only complaint about this is it doesn’t quite feel like an album.  There’s no arc, or apparent mid-point, peaks or valleys.  It’s just a bunch of songs that could really be in any order, thus a number of them sound similar to one another.  However, I don’t think this band has set out to create any grand masterpiece aimed at drawing a listener in to a variety of compositional fortitude.  It’s clear they just want to riff and break skulls and they have seemed to accomplish that.  (The Ghost Is Clear Records)

 

WORLD SMASHER, “Big Head” 7”

Hailing from, I think, the Bay Area World Smasher have a less abrasive sound than their name would imply.  However, they are not without their bouts of fuzz-heavy distortion kicking in with each song.  They lead off this 7” with the title track, which heavily brings to mind the band Kindling and their equally as potent brand of brash and abrasive shoegaze-y energetic indie rock that often comes off loud and raw, but also (as common with this style) soothing in the vocal department.  However, that comparison fades a bit after that first track the other three songs here tend to lean into a somewhat laid back feel and little less on the catchy/energetic/bouncy feel.  Though, as mentioned, each song does have it’s moments of explosive guitar fuzz bliss.  It’s a mostly upbeat affair overall, yet giving enough attention to the light and airy side of things for some feel-good vibes without being so shoegaze it puts you to sleep.  It’s a fun and pleasing listen as I tend to be a bit of a sucker for this style. (Forever Never Ends Records)

 

WORKING THROUGH RUST, “Words About the End” EP

Working Through Rust is a project between Tom Schlatter (Hundreds Of Au, You and I, a million other bands) and Steve Roche (Off Minor), as well as other friends, where they intermittently get together, throw out some ideas, and make some songs.  No release they have made sounds quite like the other, as each takes a stab at a particular style.  This go around they have opted for full-on Acme worship.  OK, maybe a bit of Groundwork too.  It’s just totally pulverizing filthy metallic hardcore that wastes no time with the double kick, hellish screaming, and chainsaw guitars.  My references may be a bit dated for a younger audience but it’s 4 songs in 9 minutes, you have time to find out for yourself.  Raw doesn’t begin to accurately define it.  I love that the cover art looks like it could be from an Ire record.  Yes, more old references.  Deal with it. (self-released)

 

YAUTJA, “The Lurch”

I can’t imagine how any of these dudes hold down day jobs given, 1) how tough it must be to compose, learn, and rehearse the insanely-technical material Yautja comes up with and 2) the arms-length rap sheet of other past-and-present bands the members all have (including, but not limited to, Gnarwhal, Coliseum, Thou, and Thirdface).  I can’t imagine any of them have time to spare for stuff like ‘gainful employment’ when music seems to seep from every filthy pore in their collective bodies.  But here we’re talking about the new Yautja record, which the trio have managed to cram inside the most horribly colorful record cover my eyes have ever seen.  For those of you who are looking for a timeline in which Mastodon were beaten to death with their own instruments after “Remission” came out and these guys seamlessly assumed their identity and carried on uninterrupted look no further.  However, I’d even take it a step back further to say Yautja carry the spirit of gnarly Mastodon forbearers Lethargy and like-minded kin Human Remains as well.  The drumming is absolutely insane on this and gives hyperactive strength to the already twisted and sludgy riffs scattered throughout “The Lurch” that go from repetitive Buzzov*en-meets-Voivod headfucks into grimy blast beat bliss without warning.  It’s the kind of record where parts will get you immediately as they are incredibly impressive, but putting the whole thing together as a whole takes repeated listens.  There’s a lot going on, even on a lengthy track like “Undesirables” that feels like one awesome riff with variations on the drumming for over 7 minutes.  It’s technical overkill but not a riff salad, if that makes any sense.  It all makes does make sense though, it just takes some time to sort it out.  It’s worth going back over and over again in order to dissect all the parts to grasp the bands skill at being headscratchingly complex, yet powerfully catchy at the same time.  (Relapse)

Tuesday, May 11, 2021

PINKO REPRESS WITH SPECIAL EDITION COVER!

 


Coming soon:  the second pressing of PINKO's, "You & You" LP.  Keeping with the color scheme of the first press this one will be 200 copies on solid blue vinyl with accompanying blue polybag sleeve.

Additionally, the first 60 copies of the record will be in a hand-numbered sleeve with alternate artwork and printed on foil covers.  You can see the photos below for some -in-process shots of those.

It's a ripper of a record and worth checking out.  Pre-order the record HERE